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Introduction
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HDV is a high-definition variation of the DV video encoding specification that uses MPEG-2 compression to achieve the same data rate as the DV, DVCAM, and DVCPRO video encoding specifications. It was developed by Sony, Canon, JVC and Sharp and was introduced to the consumer market in 2003. HDV video can be captured in 720p, 1080i, and 1080p and can be recorded using MiniDV or Standard DVC cassettes.
Identification
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MiniDV cassettes for DV and HDV recording. Wikipedia the Free Encyclopedia. Accessed February 23, 2021. |
Physical Characteristics
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| Tape width | |
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| Tape composition | |
| Cassette dimensions | |
| Container dimensions | |
| Identifying features | |
| Common manufacturers/brands | |
| Playback |
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| Storage environment: temperature | Ideal: 40–54°F (4.5–12°C) Acceptable: 55–60°F (13–15.5°C) |
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| Storage environment: humidity | 30–50% RH |
| Container | HDV containers should pass the Photographic Activity Test (PAT) as specified ISO Standard 18916:2007
Containers are acceptable if they:
Unacceptable containers must be replaced with clean, inert containers. |
| Orientation of tape in storage | Vertical on its end (like books) |
Risk assessment
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Polyester base film used in videotape is considered very stable.
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Other components of the videotape, including the binder, are considerably less stable and are more likely to be the cause of degradation.
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Digital video material stored on magnetic tape should be appraised or re-appraised to determine the nature and signficance of video elements contained on the tape and whether the video elements have sufficient archival value to justify reformatting and long-term preservation as digital video files.
Types of damage and deterioration
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Environmental conditioning: Moving the tape to a controlled storage environment (40°C / 20 to 25% Relative Humidity) may reverse the affects of hydrolysis over time.
Baking: Holding the tape at an elevated temperature (45°C to 55°C) for a brief period of time (up to 36 hours) can temporarily remove moisture and allow normal playback for a period of one to two weeks. Tapes should not be rewound before baking.
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Types of damage and deterioration
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Binder deterioration
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"1.1.3. Inspect for damage / Look for chemical deterioration / Binder degradation". In Audio Tape Digitisation Workflow. Accessed February 22, 2021. |
Description
Commonly known as "sticky shed syndrome." Affected records will have a visible gummy or powdery residue on the surface of the tape. This can damage both the recorded material and playback equipment. Back-coated tapes are most affected by this type of deterioration.
Cause
Polyester urethane is prone to moisture absorption which can cause the molecular structure of the binder to break down. This process is accelerated by high temperature and high humidity.
Remedy
Environmental conditioning: Moving the tape to a controlled storage environment (40°C / 20 to 25% Relative Humidity) may reverse the affects of hydrolysis over time.
Baking: Holding the tape at an elevated temperature (45°C to 55°C) for a brief period of time (up to 36 hours) can temporarily remove moisture and allow normal playback for a period of one to two weeks. Tapes should not be rewound before baking.
Drop-out
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"1.1.3. Inspect for damage / Look for chemical deterioration / Binder degradation". In Audio Tape Digitisation Workflow. Accessed February 22, 2021. |
Description
A brief signal loss caused by a tape head clog, missing magnetic oxide particles, tape defect, or debris on the tape or machine. These factors can reduce head-to-tape spacing and result in the appearance of white spots or streaks on playback. Multiple drop-outs per frame will result in a snowy appearance.
Cause
Tapes kept in dusty conditions will accumulate particulate matter, increasing the risk of drop-out.
Remedy
Flaking/missing magnetic oxide particles are an indication of tape deterioration. This type of drop-out cannot be corrected physically.
Mould
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Are Your Video Tapes Showing Bad Signs of Mould. MultiMedia Select. Accessed February 24, 2021. |
Description
Active mould is generally moist while dormant mould is dry and dusty. Mould growths may be white, black, brown or mustard-coloured and usually have a pattered, fuzzy, or thread-like appearance. Mould can cause permanent damage to tapes over time if not removed. Fungus and mould is also a significant health hazard and affected materials should be handled using gloves and masks.
Cause
Storing tapes at high temperature and relative humidity levels can facilitate the growth of mould.
Remedy
Mouldy tapes should be isolated from unaffected materials to prevent cross contamination. Store tapes at a temperature of 24°C in an environment with effective air circulation and less than 50% Relative Humidity. Loose mold can be vacuumed from the tape pack and then the tape should be treated with an appropriate fungicide.
Stretching and breaking
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The elongation of parts of the tape, across the full width of the tape or -most likely- on one or the other side of the tape
The separation of tape into two or more pieces.
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Figure 20. Wrinkled VHS tape. Caring for audio, video and data recording media. Government of Canada, Canadian Conservation Institute. June 30, 2020. |
Cause
Stretching and breaking of video tape usually results from improper handling or use of playback equipment.
Remedy
Stretching can distort the tape signal however data can usually be recovered (with a decrease in signal quality).
Accidental recording
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Record Protection Mechanisms: MiniDV. Preservation Self Assessment Program. Accessed February 24, 2021. |
Description
Camera operators can accidentally record over pre-existing footage
Cause
Tape is set to "record mode" when it is inserted into camera or deck
Remedy
Ensure tape is set to "safe mode" before inserting into camera or deck.
Risk assessment
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Digital video material stored on magnetic videotape is considered to be at high-risk of loss or degradation.
Polyester base film used in videotape is considered very stable.
Other components of the videotape, including the binder, are considerably less stable and are more likely to be the cause of degradation.
Format obsolesce, including lack of well-functioning playback equipment poses an equal or even greater risk than degradation, even with higher quality formats such as Digital Betacam
Archivists should appraise or reappraise digital video material stored on magnetic tape to determine the nature and significance of video elements contained on the tape. See Section 5 of the University Archives Procedure Manual for guidance on appraising sound recordings and moving images.
The archival appraisal should determine whether the video elements have sufficient archival value to justify reformatting and long-term preservation as digital video files.
Related resources
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- Section 9.0 - Outsourced digitization of audiovisual items
- Appendix C - Technical specifications for moving images
Further Reading
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Visit the /wiki/spaces/ALC/overview for further reading on /wiki/spaces/ALC/pages/1891631115.
References
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AMIA. "Video Preservation Factsheets." Accessed December 10, 2020.
Avid. "Working With HDV." Accessed February 3, 2021.
Bensinger, Charles. "Chapter 6: All about videotape." In The Video Guide, Second Edition, 71-75. Santa Barbara, California: Video-Info Publications, 1981.
Bogart, John Van. "What Can Go Wrong With Magnetic Media?" In Magnetic Tape Storage and Handling: A Guide for Libraries and Archives. Washington, DC: The Commission on Preservation and Access, 1995.
Casey, Mike. "FACET: Format characteristics and preservation problems." Bloomington, IN: Indiana University, 2007.
Gibson, Gerald. D. "Magnetic tape deterioration: recognition, recovery and prevention." Paper presented at the IASA Conference, Perugia, August 26, 1996.
MediaCollege.com. "The HDV Video Format." Accessed February 3, 2021.
Museum of Obsolete Media. "HDV (2003 – 2011)." Accessed February 3, 2021.
Preservation Self Assessment Program. "Videotape: HDV." University of Illinois at Urbana-Champaign. Accessed February 3, 2021
Wheeler, Jim. "Videotape preservation handbook." 2002.
Version history
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